COLLECTION

Step
Three-dimensional stacking
An experimental design in which each part is stacked one by one. Try to place end pieces and bridges freely like building blocks. This forms the structure and creates the eyewear. The combination of parts of different colors and textures creates intricate palette and the illusion of trompe l’oeil.

• Lens width: 51mm

• Nose bridge width: 19mm

• Temple width: 145mm

• Frame material:Pure titanium

• Temple material: β titanium and acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

Step
Three-dimensional stacking
An experimental design in which each part is stacked one by one. Try to place end pieces and bridges freely like building blocks. This forms the structure and creates the eyewear. The combination of parts of different colors and textures creates intricate palette and the illusion of trompe l’oeil.

• Lens width: 50mm

• Nose bridge width: 21mm

• Temple width: 145mm

• Frame material:Pure titanium

• Temple material: β titanium and acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

Step
Three-dimensional stacking
An experimental design in which each part is stacked one by one. Try to place end pieces and bridges freely like building blocks. This forms the structure and creates the eyewear. The combination of parts of different colors and textures creates intricate palette and the illusion of trompe l’oeil.

• Lens width: 51mm

• Nose bridge width: 19mm

• Temple width: 145mm

• Frame material:Pure titanium

• Temple material: β titanium and acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

Step
Three-dimensional stacking
An experimental design in which each part is stacked one by one. Try to place end pieces and bridges freely like building blocks. This forms the structure and creates the eyewear. The combination of parts of different colors and textures creates intricate palette and the illusion of trompe l’oeil.Lens width: 50mm

• Nose bridge width: 21mm

• Temple width: 145mm

• Frame material:Pure titanium

• Temple material: β titanium and acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

Doodle
Aimless lines

Doodles are random, fun, and sometimes enigmatic lines. They are composed as if the lines are scribbled directly on someone’s face. Each stroke is created by the unconscious mind and they come together into a solid design.

• Lens width: 50mm

• Nose bridge width: 23mm

• Temple width: 140mm

• Frame material: β titanium and Pure titanium

• Temple material: β titanium and Acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

Doodle
Aimless lines

Doodles are random, fun, and sometimes enigmatic lines. They are composed as if the lines are scribbled directly on someone’s face. Each stroke is created by the unconscious mind and they come together into a solid design.

• Lens width: 48mm

• Nose bridge width: 26mm

• Temple width: 140mm

• Frame material: β titanium and Pure titanium

• Temple material: β titanium and Acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

Doodle
Aimless lines

Doodles are random, fun, and sometimes enigmatic lines. They are composed as if the lines are scribbled directly on someone’s face. Each stroke is created by the unconscious mind and they come together into a solid design.

• Lens width: 48mm

• Nose bridge width: 26mm

• Temple width: 140mm

• Frame material: β titanium and Pure titanium

• Temple material: β titanium and Acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

dessin
Drawing

The iconic collections of the brand laid the foundation of MASAHIROMARUYAMA’s design concept. All designs begin with a sketch. The Dessin range, with its
imperfect lines, takes its inspiration from the sketch. It is characterized by an unfinished shape, which is created by applying the elements of hand-drawn rough designs directly into the production, standing out
from the completed products.

• Lens width: 43mm

• Nose bridge width: 26mm

• Temple width: 145mm

• Frame material: Pure titanium

• Temple material: β titanium and Acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

dessin
Drawing

The iconic collections of the brand laid the foundation of MASAHIROMARUYAMA’s design concept. All designs begin with a sketch. The Dessin range, with its
imperfect lines, takes its inspiration from the sketch. It is characterized by an unfinished shape, which is created by applying the elements of hand-drawn rough designs directly into the production, standing out
from the completed products.

• Lens width: 43mm

• Nose bridge width: 26mm

• Temple width: 145mm

• Frame material: Pure titanium

• Temple material: β titanium and Acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

COLLECTION

dessin
Drawing

The iconic collections of the brand laid the foundation of MASAHIROMARUYAMA’s design concept. All designs begin with a sketch. The Dessin range, with its
imperfect lines, takes its inspiration from the sketch. It is characterized by an unfinished shape, which is created by applying the elements of hand-drawn rough designs directly into the production, standing out
from the completed products.

• Lens width: 42mm

• Nose bridge width: 26mm

• Temple width: 145mm

• Frame material: Pure titanium

• Temple material: β titanium and Acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake. 

This collection is inspired by the sculptural process, from the tool marks of a chisel on stone, the space created in the gaps between piled pieces of clay, to the wire framework built for the process.

• Unisex 

• Frame material: Acetate

• Temple material: Acetate

• Lens width: 43mm 

• Nose bridge width: 26mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake.

The first collection laid the foundation of Masahiromaruyama’s design concept. All designs begin with a sketch. The Dessin range, with its imperfect lines takes its inspiration from the sketch. 

• Unisex 

• Frame material: Acetate

• Temple material: Acetate

• Lens width: 50mm 

• Nose bridge width: 22mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake. 

Kintsugi, whose method makes broken pottery beautifully reborn, is portrayed in the design.
Lines made by Kintsugi bring new space to the frames.  Kintsugi also expresses the spirits of Wabi Sabi, its external beauty of Wabi Sabi, and the spirits of finding beauty.

• Unisex

• Frame material: Acetate and pure titanium 

• Temple material: β titanium and acetate

• Lens width: 40mm 

• Nose bridge width: 29mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake. 

SCULPT

This collection is inspired by the sculptural process, from the tool marks of a chisel on stone, the space created in the gaps between piled pieces of clay, to the wire framework built for the process.

• Unisex 

• Frame material: Acetate

• Temple material: Acetate

• Lens width: 51mm 

• Nose bridge width: 22mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

• Nose pad size: Small (recommended for international fit style: 3mm)

• Attachment: Case and cleaning cloth

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake. 

ERASE

Inspired by erased pencil lines. The process of drawing and erasing applied to eyewear design: it is an essential process to set up the structure and balance of a sketch. The erased elements create a mysterious impression.

• Unisex 

• Frame material: Pure titanium 

• Temple material: β titanium and acetate 

• Lens width: 48mm 

• Nose bridge width: 22mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

• Attachment: Case and cleaning cloth

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake. 

ERASE

Inspired by erased pencil lines. The process of drawing and erasing applied to eyewear design: it is an essential process to set up the structure and balance of a sketch. The erased elements create a mysterious impression.

• Unisex 

• Frame material: Pure titanium 

• Temple material: β titanium and acetate 

• Lens width: 48mm 

• Nose bridge width: 22mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

• Attachment: Case and cleaning cloth

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake.

Kintsugi,
whose method makes broken pottery beautifully reborn, is portrayed in the design. Lines made by Kintsugi bring new space to the frames.  Kintsugi also expresses the spirits of Wabi Sabi, its external beauty of Wabi Sabi, and the spirits of finding beauty.

• Unisex 

• Frame material: Acetate

• Temple material: Acetate

• Lens width: 44mm 

• Nose bridge width: 26mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake.

Kintsugi,
whose method makes broken pottery beautifully reborn, is portrayed in the design. Lines made by Kintsugi bring new space to the frames.  Kintsugi also expresses the spirits of Wabi Sabi, its external beauty of Wabi Sabi, and the spirits of finding beauty.

• Unisex 

• Frame material: Acetate

• Temple material: Acetate

• Lens width: 44mm 

• Nose bridge width: 26mm 

• Temple width: 145mm 

• Handmade in Japan (Sabae City in Fukui)

Art is a huge source of inspiration for Masahiro Maruyama. The concept is “unfinished art ––finding beauty in the incomplete”. Whereas classical frame designs are symmetrical and beautifully completed, Masahiro’s asymmetric frames are “unfinished”, creating evocative, eccentric designs. Like having a piece of art, Masahiromaruyama frames are not just for daily use or a fashion statement, but as well as for their own sake.

broken
Reconstruction of the Broken Completeness

Glass and pottery are fragile; once it’s broken, it’s never the same again, even if you repair it. This design was born from the inspiration by the irregular shape of the broken Each piece of the broken creates an impression and mood that no one has ever seen, telling its own story.

• Lens width: 52mm

• Nose bridge width: 21mm

• Temple width: 140mm

• Frame material: Pure titanium

• Temple material: β titanium and Acetate

• Attachment: Case and cleaning cloth

• Unisex

• Made in Japan